I also use Fae/Faer alongside She/Her. Transfemme Genderfae and proud!
And Duke has kinda proven that. 3D has had multiple ports, some better than others, but barely anyone talks about the 2D GBA titles, and Forever will forever be a rotting flop.
The last big commercial success was at an end of an era, at best becoming an archaic parody of a branch of the industry no longer really made, at worst an uncomfortable artifact of a bygone era of entertainment.
I really need to just sit down and watch that. I keep seeing either “It’s insane, but absolutely great” or “It’s absolute dogshit”, and that’s the kinda shit I normally dig.
If they can turn something out with Duke that feels like Duke, I’m down, I’ll support it. He just feels like the most out of left field character to bring back, especially as something outside of a game.
A movie from '93. Which, I believe, influenced what is probably the most recognizable Duke outing, Duke 3D.
That’s kinda part of the point I’m making. Duke is a product of that time, of shallow action flicks with beefy dudes and solid one-liners, often with a little sexism tossed in for spice.
I’d argue both DMC and Castlevania has more depth than Duke. While DMC can be summed down to “Cocky man kicks ass”, there’s been greater depths explored with a lot of the cast. Not an ocean, of course, but there’s more to the characters than mere face value.
Castlevania has a wide cast of characters who, while not always presented in the most complex manner, have implied histories and personalities that can be built upon. There’s enough skeleton to support some good muscle.
Duke has the depth of a petri dish. He’s the embodiment of “What You See Is What You Get”.
Like I said elsewhere, a single movie in his peak, or a low budget tongue-in-cheek throwback, I could get behind.
I just don’t see the potential of a Duke series, or even a film getting beyond cult classic status among a select few.
In the actual time of Duke’s peak, absolutely. Hell, with a clever writer and director team, I would support a low-budget tongue-in-cheek flick.
But Duke is heavily a product of the times. I just can’t see a full take that wouldn’t rip out what makes him iconic, but equally terrible, as a character.
I have wanted to see him interact with Sal in some capacity for the longest time. I feel like there could be at least some “a better you” gags on Duke.
As someone who has a giant soft spot in her heart for Duke, what story is there to tell?
Duke Nukem is a simple man. He’s here to fuck up alien bastards(for taking the babes, crashing his ride, generally existing), save attractive women, and maybe remember to pick up that pack of gum on his way home.
He’s not really even a “character”, he’s a walking embodiment of 80s and 90s machismo with big guns and less plot than the typical comic book of the time. He’s a machine built for one-liners. He’s a never-ending thoughtless action flick you love because it takes so little actual thought to enjoy.
It can be hard to break that wall. I walked into my transition knowing that I was putting my marriage, my shelter, my everything on the line by coming out. I spent months quietly crying to myself in the bathroom, scared of both sides. Wishing it could be easier, hating myself for even wanting this.
It took realizing that there was an inevitable end either way, I just had the choice of being alive or not for it. It took time for me to find new support, and in that between, I felt extremely alienated.
Even trying to be in trans spaces online, I felt like I couldn’t talk about what I was experiencing, about the negatives that can come, and how it still felt worth it to really breathe as me, as the woman who had been screaming behind every word for so much of my life.
It can be an ugly experience, and we can feel like there’s no one there to help catch us as we fall. That’s why one of the best things we can do is never tell someone they’re whatever, but to let them know that, if they are, they aren’t alone. There’s still people who will help them through the hardest.
And where do they do it most? In your chair, man!
Given it’s a dream, there could be some interpretation that the OOP is craving emotional stability.
His own subconscious doesn’t even want to have mindless pleasure anymore, but comfort. He denies himself because he doesn’t truly want sex, but the stability of deep, emotional contact.
That’d work…
In a very strange reboot of Johnny Bravo, who was a much more positive parody of characters like Duke Nukem. Duke is written as the stereotype who’d bag 'em, tag 'em, and jet to the next bed.