Most of the discussion and sources of content talk about movies and series.
I’ve been recently looking for psy and techno music, finding FLAC or WAV with active seeders feels like striking gold. It’s definitely been a while since I’ve looked for active torrent sites and it feels more barren than ever.
Edit: Thank you all for all that valuable information. The reddit group really wasn’t this helpful and valued making fun over adding real use able knowledge.
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Spotify is very affordable and provides pretty much all music on earth. I’m not interested in jumping through hoops to download songs if I can just conveniently stream them all from one legit service.
Still no word on the hifi tier though
Yep its basically like Netflix before it shit the bed.
We share our spotify account with friends and halve the cost.
It’s certainly alive and exists.
But access to music is easy and affordable. It’s more inconvenient for me to pirate it than just use a streaming service.
I also listen to a lot of independent artists and rather buy their stuff to support them.
The only music I pirate is stuff that isn’t on Spotify, namely Nintendo game soundtracks
Expect a cease and desist order
I prefer there not being any lag in-between songs, which most streaming services have.
I usually use a streaming service like YouTube (through piped) to find new artists, then use soulseek to download their entire discography.
The problem with streaming is that the companies will eventually figure out new ways to squeeze every penny out of you. The once ‘free’ YouTube is now blocking adblocks, and Spotify requires DRM to be installed for it to function.
For me, piracy isn’t just about convenience or price, it’s mainly about control over the media I have.
Soulseek has most of what you need. 3ost has pretty rare stuff and rutracker as well
Finally someone else that uses Soulseek. It’s been around for years and is the best place to download whole albums or discographies in high quality.
The soulseek network is still alive and well.
It’s pretty amazing. Everything I had wished Limewire was.
Alive and well is doing some heavy lifting if you consider being a husk of your former glory “alive and well”. Yes you can definitely find stuff there that can’t be found anywhere else, even through conventional means. But it’s certainly not the soulseek of yesterday.
I agree, Nicotine+ and Soulseek is the way to get music these days.
And for those saying using streaming services is easy and affordable so they don’t bother, I would remind you, it is… for now.
Look at what has happened time and time again with all these companies and how they just slowly squeeze their users over time or just flat out kill the service entirely. As someone that is really into selfhosting, and prefers to be in control of my data and privacy I would urge you to move away from those services. Setup Airsonic, Funkwhale, or some other streaming music service and control it yourselves.
If you close your eyes, you can metaphorically hear the tides changing on the music streaming industry. The fall of Netflix is such a stark reminder of how fast these convenient services can morph into user hostile experiences.
Plus, there is the added philosophical discussion about what it means to allow a centralized corporate media conglomerate to curate your music for you. I’d imagine that their insentivisation structure over what should be heard is different than yours.
For serious though, I hypothesize that your library/playlist data (xml, maybe? somewhere? I’m just starting the journey of offloading.) is more valuable to users than the music itself. Next step is figuring out how to export Spotify’s data.
Can’t. I’m addicted to the algorithms. Music discovery guided by AI is too much fun. If I was only using streaming services to listen to music I already know or the new albums from artists I already like them I’d be with you, but now I’m hooked on finding new stuff.
“Guided by AI” I think you mean algorithms programmed according to strict music licensing contracts from the labels that say a service needs to suggest label-preferred “complimentary” artists over actual similar music that you would like based on a collection of characteristics in a given song/band’s sound signature.
You have evidence this is happening on Spotify’s Discover Weekly playlist?
Richard Stallman wrote a quick page on the shady things Spotify does (3 minute read not counting the linked articles). Although only loosely related to what you asked for. According to the info I found online, Discover Weekly should be safe from the kinds of sponsorships you talk about (the whole article takes about 8-15 minutes to read, but I quoted the important part below).
A representative for Spotify tells Vox that the user experience of Discover Weekly will not change — e.g., Nike can’t buy the playlist for the week and serve everyone a Frank Ocean song — and reiterates, “Discover Weekly is, and will remain, a powerful means of artists winning new fans.
Funkwhale is federated. I have discovered lots of good stuff on there via other servers. Not algorithmic, but once you find a server that appeals to you, there’s a lot to dig into.
There’s also https://libre.fm and https://listenbrainz.org/ and https://openwhyd.org/
+1 to ListenBrainz. It’s an awesome tool for tracking your listening habits (kinda like Last.fm). Combined with Pano Scrobbler, I can create collage pics of my most listened-to artists or albums of a given time period (per week/month/year). It’s a great service and I want to donate to that project in the future, because I get so much value out of it.
You’re not wrong and I’m happy that piracy communities exist in spaces where access is easily cheap and accessible if only for the days that those industries get greedier. But for now, I’m happy to pay when it’s affordable and easy to access.
I half agree with what Gabe Newell said in regards to piracy being a service issue and not about price. I think it largely is a service issue. Access is the greater problem. Price is secondary as long as it’s somewhat reasonable. I don’t pirate video games because I can get them reasonably, but he is a smidge wrong insofar as I don’t buy the outrageously expensive games. Steam’s major success is having good sales that keep me away from pirating because the possibility of games I want going on discount at some point is realistic. It’s telling that the only time I did dabble in video game piracy was to relive my childhood memories of Nazi Zombies from the Call of Duty video games. I dabbled in it then because Activision is selling their decades old games for outrageous prices considering their age and their “sales” are weak considering the already overinflated price. I refuse to pay for that. And so I sailed the high seas.
The music industry is still affordable and accessible, so I don’t feel that pressure at all. Back when Limewire was around the pressure was there partially because I was a kid and didn’t have much money and hunting down CDs I wanted for the obscure music I liked was challenging. It was mostly an accessibility issue that Spotify fixed. If their prices move beyond my means then that relationship will no longer benefit me and the sails will raise once more.
You can do both - pay for music when it comes from sources like Bandcamp, Qobuz, etc where you get to own the FLAC file. Don’t pay for things like Spotify where the music you’ve “purchased” is not yours to keep.
Oh wow! I’ve exclusively streamed for a number of years now, but used to be pretty active on Soulseek (+10 years ago). Totally forgot the name until you mentioned it. Glad to hear it’s still up and running fine.
Go on there and share some of your stuff, if you want. We’ll be glad if people help keep the network alive. ;)
Soulseak was king for screamo and emo rock in the mid 00s
I buy on Bandcamp and pirate through Soulseek (specifically Nicotine+).
I also buy Vinyls.
Torrenting music has been pretty trash for me so I haven’t bothered in ages.
Bandcamp is great. Fuck corporate labels who prevent artists from releasing their music privately on the platform. It’s an abhorrent business practice.
bandcamp
I didn’t know about bandcamp. I’m gonna buy some albums there. The music is drm-free? I think that what bandcamp and itch.io are doing should be the future of the industry.
Yes, the music there is drm free. Keep in mind it’s not ALL music. It’s mostly music from independent artists. But they are the ones that need the most support. So go all in!
I’d love to hear about any places to look for this. I sometimes want to download some favourite songs, just in case they go down on any music services or youtube.
Soulseek
I have stopped caring about artists and instead focus on sets, on Soundcloud.
I feel there is room for improvement over the soulseek network, though that’s about the best there is right now. It doesn’t take advantage of downloading from multiple peers (like torrents), quality is good in practice but hard to be sure until you listen, and is missing rare / non-western music.
While streaming apps offer a decent value, I don’t like the level of lock in. I have music from CDs and other sources that are a first class part of my library, and using only a streaming app would make them harder to access.
For me it’s pretty much dead. Since I’ve got YT music subscription I don’t download music anymore, except some rare, obscure bands from past. Because modern, rare obscure I can support via Bandcamp and the likes. For real gold mine of music checkout soulseek. If it’s not there, you can assume it doesn’t exists
why pirate when bandcamp has everything I want on FLAC for pennies and I get to send lewd messages to my favourite artists when I buy stuff
The album prices are pretty high sometimes and many artists are not on bandcamp
why pay pennies when you can pay 0
Because I actually, you know, like the artists I like.
so you support them by giving them $0.000000000000001
Most of the proceeds from sales goes directly to the band for bandcamp sales. Roughly 82% apparently: https://bandcamp.com/about
I have Spotify through a family plan but I do download backups for when the enshitification happens to them.
I just use lidarr with the deezloader script. Sign up for a month of deezer premium every six months and just download my back log. For $30/yr I always have a relatively up to date, lossless quality, music library backup.
Personally, I tend to only pirate music files that I just can’t find anywhere else. For example, audiophile quality 45rpm vinyl rips of albums that might have only been sold in that format once, and for a very limited run. In cases like that, I almost feel a responsibility to maintain a copy because it is something that could very easily disappear from existence.
The guys doing the rips understand that they might own one of maybe a few hundred copies of a certain album, so they rip at audiophile quality and share.
Soulseek is the goto piracy thing for music.
Streaming service ripping is alive and well.
Youtube scrapers like Newpipe and alternative frontend makes listening easy if you aren’t quality obsessed. This has been adequate for my levels of listening.
Some private trackers have massive music collection dumps.
However, I’d say directly supporting artists through storefronts like bandcamp is the best way to go, where it’s available. No DRM, no bullshit, the artist benefits. This, to me, is the best alternative to piracy.
Napster, Deezer, Tidal aren’t terrible offerings either FWIW.
Sorry to ask a dumb question but how do I rip from streaming services? It’s worth buying a subscription for this ability
I don’t want to link to anything directly, but it’s possible to use ReVanced to get YouTube Music for free.
Would you be able to DM me?
For music from artists that don’t exist anymore I mostly use ddl. If the artist is still there and offers a decent way of giving them money, I usually do that.
I still use soulseek, been using it for nearly 20 years at this point
