

Fair point. Admittedly, I wasn’t thinking about my response from a musician’s point of view.
Can you expand on your comment so I can understand the context a bit? I’m assuming from what you said that paid streaming services are not a positive thing for artists (or maybe smaller artists), and that it would be preferable if people were buying albums and singles outright? I’d like to understand it better.



Thank you for the explanation. Its a pretty shit situation from an artists point of view it seems.
I’m guessing there was never any way for artists to fight this model when it developed. It was made so attractive for consumers like me to have music available on tap, that it would have been impossible for artists to fight against that level of convenience and demand.
I didn’t realise the figures were that bad to be honest. I suppose I assumed that because it was a way to get music to more people really quickly, that it would benefit artists.
Appreciate the explanation. 🙏🏼