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Cake day: February 15th, 2024

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  • Jolanta Lasota, the chief executive of Ambitious about Autism, said: “Theoretically any Barbie can be reimagined as autistic, because autism doesn’t have one look. But representation is powerful and Barbie is an iconic toy, so we hope many autistic children feel pride at seeing some of their experiences reflected in this new doll.

    Per the article, they tweaked the eyes so they look away slightly, made sure to use one of their fully articulated sculpts so she can move her arms to allow role-play of stimming, dressed her in clothes that would be loose and comfy, and gave her a fidget spinner, noise-canceling headphones, and augmentive-communication tablet.

    To a certain extent, every Barbie is a cash grab, but this doesn’t seem any worse than average, and not every family is going to take it as their mission to rise above every consumerist influence in their lives.





  • I bought Alibre Design, as it was a less oppressive situation license-wise, but these days I find I’m using it less than I might simply because I prefer staying in Linux for literally anything else. It was a bit pricy, but at least it was a perpetual license. I am hearing that while they don’t intend to support Linux, they’re moving away from some of the libraries that have prevented Proton from working.

    The rest are varying degrees of oppressive lock-in and feature erosion. PTC/OnShape in particular has a huge “Fuck-You” attitude towards anybody who wants to consider throwing a design up on Etsy or selling a few trinkets without paying out the ass for a professional-grade subscription, and being the only fully mature web-based tool, it’s the only one that works properly in Linux.









  • wjrii@lemmy.worldtoRisa@startrek.websiteNo contest
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    21 days ago

    This feels like a bit of a straw-man. In my youthful nonsensical cross-franchise pissing-match days, we pitted the Enterprise versus a Star Destroyer, or at least some other capital ship.

    Unless you were asking which one was cooler, in which case the Falcon wins every day and twice on Sunday.





  • Trump is a resident of Florida, and the BBC does business in Florida via the website, BBCNews, Britbox licensing, etc. The complaint even talks about gray-market VPN viewing of iPlayer. Jurisdiction isn’t really the issue. Establishing any actual harm at all will be the issue, to say nothing of “billions” of dollars worth of it from some splicing that is honestly editorial shading at worst. He is super pissed off in that speech, issues way more shaded threats than calls to peaceful actions, and pardoned the people who killed or injured multiple Capitol Police. Proving that the 10 or twenty people in Florida who actually saw the thing is worth anything to a plaintiff who won the fucking election is going to be an incredibly tall order for any half-way conscientious judge or jury.

    It’s typical Trump “lawfare,” complete with breathless nonsense adjectives in the complaint to make the diaper baby anger-happy when he reads it. Only the sheer awfulness and expense of American litigation makes it even conceivable that the BBC will eventually settle, and if they do it will probably be right before discovery after they exhaust any motions to dismiss and other procedural tactics.


  • There’s also a very real problem of Lucas not really caring to get the best out of them, and for the younger actors it’s disastrous. Natalie Portman is generally a bit better at picking solid projects than elevating them (IMHO), but she’s every bit as bad as the Anakins in the prequels. Only the veterans who could draw on prior experience, and especially the British-trained theater actors, could work with the abstractions of the set and chew the scenery convincingly without a lot of helpful guidance.

    On ANH, George was still a young Turk in naturalistic New Hollywood, and anyway he had exactly one mainstream success under his belt, so people could push back; there’s also the sometimes exaggerated but very real contributions of the editing team picking good takes and splicing them together in a way that feels right, certainly in the moment. On ESB he did his best work by going with scriptwriters and a veteran director who’d done a dozen films. Even on ROTJ, the non-guild director was a guy who’d done a lot of intimate character work on British TV, and if the plot was straining under its weight, you still got solid line readings and some convincing emotion.